During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
“NO BORDER 2D×3D” をキャッ(🐆)チフレー(🦈)ズに掲げ、2Dと(👜)3Dの(🎴)境(😉)目(mù )をなくすクリエ(🦌)イ(🙋)ティブな活動を(🛷)目指(zhǐ )す３DCGプロダクシ(🍙)ョ(😈)ン(🍮)“Picona Creative Studio”。本作はどんな(🖋)ものでも(🧠)捨ててみせるゴ(❗)ミ(🎍)捨て屋コンビと、魔(🌧)法(🆑)を捨(shě )てたい魔(😇)女が繰り広げる、ファ(🤘)ッ(🐑)シ(🕵)ョン× ポップ× アニメ(🀄)をキーワードに(⛱)魔法と科学を絡み合わ(🧀)せ(🃏)たスラップステ(🐱)ィック・(🔓)アニメーショ(🌕)ン(🏔)。同(✈)(tóng )社が長年温めてき(🌉)た(😸)オリジナル企画(🏆)が、ついに実(shí )現！
Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.
该片(🎃)改(📟)(gǎ(🚉)i )编自脱北女(nǚ(⛏) )性的真实(👱)故事，讲述的是抛(🖲)(pā(🈵)o )开家人，逃(táo )往韩国的(♏)母(🙅)(mǔ )亲与憎恨自(zì(🛵) )己的儿子在16年后重逢的(🚄)故(🔯)事(🌁)。
故事发生(shēng )在墨西哥城(🖐)(chéng )的一个中产(chǎ(📌)n )阶级社区“罗马”，讲述年轻(🦌)女(🤝)佣克里奥（雅利(⭕)扎(zhā )·阿(📩)巴里西(xī )奥饰(🐯)）(🥐)在(🕐)雇(gù )主索菲亚（玛丽(🔟)娜(🏻)·德·塔维拉饰(😇)）家中工作，该(gāi )家中索(🔣)菲(🕶)亚(⚡)(yà )的丈夫长期(💬)(qī )在外，由(🚻)女(nǚ )佣克里奥照(🌌)顾(⛽)索菲的四个孩子。突如(🍤)其(🚧)(qí )来的两个意(yì(🔖) )外，同时砸(zá )中了女佣克(🤡)里(📑)奥(📓)和雇主索菲亚，两人究(jiū(🔽) )竟该如何面(miàn )对(👽)苦涩茫然(rán )的生活？四(🏯)(sì(🌖) )位孩子似乎是希(🚁)望所在。 这(🍁)是以导演阿(ā(🎢) )方(🧗)索(🍕)·卡隆(lóng )的儿时记忆(yì(🍸) )铸成的影片(piàn )，而(🗼)卡隆其实就是片中某一(⛹)位(✏)小(🤬)孩。
影(yǐng )片根据(🧥)蔡骏(jun4 )小说(🏨)《荒村(cūn )公寓》改编(⛲)(biā(🥏)n )， 主人公蔡俊根据父亲(🚌)探(🔫)险笔记写成《荒村(🤤)公寓》一书意外走(zǒu )红，表(🤯)妹(💡)苏(🤐)萌坚信有荒村的存在，同(👴)粉(fěn )丝会书迷踏(🍥)(tà )上寻找荒村(cūn )的旅途(🌃)，书(😾)(shū )迷自荒村归来(🍸)后，身陷诡(🗑)异迷局，苏萌(mé(😅)ng )昏(🎲)迷(🧚)于睡梦(mèng )中，春雨精(jīng )神(💂)分裂住院(yuàn )，韩枫(📋)失踪生死未卜，预言成真(❎)。而(🗃)在(🧚)(zài )签售会现场(🛂)(chǎng )，陌生女(⛎)孩(hái )欧阳小枝拿(🎊)(ná(🌮) )出一张来自荒村的照(⏱)片(♟)后神秘消失。进(jì(🚱)n )士第、赶尸(shī )匠、巫蛊(⏱)师(👝)(shī(🎇) )三大家族的恩怨情仇渐(🎴)渐浮出水面，一(yī(🐠) )连串诡异事(shì )件的真相(💒)也(🤤)(yě )呼之欲出，荒村(🏌)宝藏传说(🚨)的秘密终于解(🚲)开(🔪)，可(🕚)在地(dì )宫秘境里，一路携(🤨)手走(zǒu )来的蔡俊(📙)、小枝经历了一场生死(📟)离(🧚)别(🔆)…
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
