故事发(fā )生(sh
故事发(fā )生(shēng )在2045年，虚拟现实技(jì )术(shù )已经渗透到了(le )人类生活的每一个(gè )角(jiǎ(🐤)o )落。詹姆斯哈(hā )利迪（马克·里朗斯(sī ) Mark Rylance 饰）一手建造(zào )了(le )名为“绿洲”的虚(xū )拟(nǐ )现实游戏世界(jiè )，临终前，他宣布(bù )自(zì(🚰) )己在游戏中设(shè )置(zhì )了一个彩蛋，找到(dào )这(zhè )枚彩蛋的人即(jí )可成为绿洲的继承(chéng )人(ré(💘)n )。要找到这枚(méi )彩蛋，必须先获得(dé )三(sān )把钥匙，而寻(xún )找(zhǎo )钥匙的线索就隐藏(cáng )在(zài )詹姆(🗿)斯的过往(wǎng )之中。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
2033年，一名(míng )少(shǎo )女受困在一間(jiān )神祕的孤兒院。她穿(chuān )越時空回到了(le )過(guò )去，尋找自己的親(qīn )生(shēng )父(🐔)母，企圖要(yào )改變過往、扭轉未(wèi )來(lái )，或許，她的(de )人生將有不同的發展(zhǎn )。
本片撷取了发(fā(🏑) )生在中国北方小城(chéng )镇(zhèn )中一个中国青(qīng )年出狱后的一段人(rén )生(shēng )经历，讲述了(le )一(yī )个(📂)小人物在商品经(jīng )济(jì )的大潮中与时(shí )代的隔离，以及人(rén )们(men )对金钱的崇尚(shàng )和理想、道德的流失(shī )，对社会与人(ré(🏓)n )性(xìng )作出了深度拷问。尤(yóu )其是本片以中(zhōng )国农历冬季的四个(gè )节(jiē )气作为篇章，具有强(🏑)烈的中国文化(huà )符号视觉。
印度(dù )每年有超过二万宗(zōng )针(zhēn )对女性的暴力(lì )罪案，平均每(⛎)二十(shí )二(èr )分钟就有一名(míng )女(nǚ )性被强暴，每六小(xiǎo )时(shí )就有一名妇女(nǚ )因家庭暴力丧命。年(nián )轻的基层女警(jǐng )索妮(😆)与上司卡帕纳在(zài )德里一同接手(shǒu )调(diào )查不同的女性暴力(lì )事(shì )件，在办案过(guò )程中往(➿)往遭受到了(le )重(chóng )大阻力，无日(rì )无之的罪案令她脾气(qì )暴躁，做事方式(shì )偏离常规，被裁定(🌬)(dìng )在(zài )执勤中行为不(bú )当，而私人生活也(yě )影(yǐng )响到了她的职(zhí )业(yè )表现，与丈夫已经(jīng )彼(bǐ )此疏离，却要(yào )被迫面对(💃)他突然的(de )到(dào )访。印度电影(yǐng )少见的写实题材，以(yǐ )一场一镜营造(zào )出(chū )真实迫力，将社会(📸)(huì )低(dī )下层女性受到(dào )压迫的问题表露无(wú )遗(yí )。
《人尽皆知(zhī )》讲述了定居在阿根(gēn )廷的(⏫)西班牙裔(yì )女(nǚ )子劳拉和她的丈夫(fū )及(jí )孩子回到西班(bān )牙小镇参加姐姐的(de )婚(hūn )礼，然而孩子(zǐ )却(què )莫名失踪，这一(🕤)突(tū )发(fā )事件使得原本(běn )和谐的家庭开始互(hù )相(xiàng )猜疑，尘封许(xǔ )久的秘密逐渐浮出水(🏵)(shuǐ )面……
The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.
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