An homage to E
An homage to European exploitation of the 60s and 70s. A man searches for his missing girlfriend, who has been abducted by a clan of vampires, led by an insane Nazi doctor. He must now battle this horde of bloodsuckers in order to retrieve the soul of the woman he loves, and save his own from eternal damnation.
明朝(🈵)嘉靖年(nián )间(💝),倭(wō )患(👢)不(bú )止(🐨)。朝廷惊闻有(yǒ(🍽)u )民间组(zǔ )织(🤩)和朝廷官员里(🥉)通倭(wō )寇,渔(🎿)(yú )利国家,于是(🚘)责令六(🚵)(liù )扇门(🧙)负(fù )责侦查(💔)(chá )并找出官员(🛎)通倭(wō )证据(🎉)(jù )。六扇(shàn )门小(🃏)捕快陆(🌁)小虾(xiā )临危(🐐)(wēi )受命(✂),同时被六扇门(💸)总(zǒng )捕头(tó(🛒)u )于初心(xīn )派人(💓)追杀,危(🥠)难之际(jì )被(🍌)“山(shān )河(🏀)兵团”的七爷所(🗄)救(jiù )并带回(🥤)(huí )兵团之中。
本(😉)片来自(zì )新片场(chǎ(🖐)ng )创作人(👈)吴晋超,他担(dā(🖨)n )任这部(bù )影(⬆)片(piàn )的导演、(💀)编剧、美术(⛑)以(yǐ )及剪辑。出(💷)品方为BITONE。
“治癒(yù(🖼) )”睡眠,挑战人(💦)类清(qīng )醒极限(🍒)(xiàn )!
17歲的(de )莎拉(🍵)全心投入學(xué(💔) )校的(de )戲(🧔)劇排(pái )練,赤(🎿)裸地體(🌏)驗(yàn )舞台(tái )上(🛏)和生(shēng )活中(🔊)的暴力。當(dāng )她(➕)試(shì )圖(🔹)揭露(lù )深藏(🔔)心中的(🏌)醜陋秘密(mì ),高(🏅)聲(shēng )呼喊卻(🕒)孤立無援,於(yú(💪) )是在莎(shā )士比亞和(💣)華格納(🍸)的經(jīng )典劇目(🌩)(mù )中尋找寄(🎟)託,她想握(wò )有(💠)茱麗(lì )葉的(🔯)(de )匕首,想跟隨伊(♐)(yī )索德的(de )腳步(🍧)殉情而去,當(🍲)她(tā )站上舞(wǔ(🔢) )台,她是否能(🧒)對世界(jiè )展開(🍷)反(fǎn )擊(🖱),扮(bàn )演的界(😱)線究竟(🕞)在(zài )哪裡(lǐ )?(⛺)
Leon is in his mid-twenties and terminally ill. He invents a technology that allows him to computerize his mind and live forever. This technology will be the downfall of mankind, so freedom fighter Aqua travels back from the future to kill him.
“儿(ér )童村”是(🥗)一个全(quán )部由(🍤)(yóu )孤儿(🌙)组(zǔ )成的神(〽)秘组织(🐡),在黑(hēi )势力的(👪)(de )推动下一次(🤞)又一次地(dì )犯(🥣)下不(bú(🔞) )可饶恕的罪(🚏)孽,他们(🍲)(men )十年前(qián )犯下(🐭)一起灭门案(🌟)让雅(yǎ )凡成为(🌪)(wéi )遗孤。年幼(♿)的她隐忍(rěn )十(🤒)年,决心(xīn )让这(🥈)群凶手血债(🐏)(zhài )血偿。雅凡以(💷)一桩离奇的(🎃)奸(jiān )杀案为(wé(📯)i )借口混(🍿)入“儿童村”内部,她的(🌐)美(měi )貌及火辣(🐍)吸引了(le )整个(🐧)(gè )“儿童(tóng )村”的(🚊)男人,上(🏁)(shàng )演了(le )一场(🤬)一(yī )女(🚠)对五男的精彩(⛓)扑杀(shā )。兄弟(🕴)(dì )反目、强奸(😞)未遂、(🍏)贩(fàn )毒被捕(📗)(bǔ )、跳(🐵)楼自杀,复仇手(🏮)(shǒu )段不断(duà(🔤)n )升级……
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
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