ユ(🔫)ミは夫と娘(🏍
ユ(🔫)ミは夫と娘(🏍)(niáng )の３(🌙)人(rén )暮(mù )ら(🏣)し。近々引っ(🈸)越しを(🎼)考えて(🥝)いる。ユミは娘のレイナ(🚴)が時折(📒)うわ言を発することが(🧖)、少々(⬅)気にかかっ(👧)ていた。転居(🚉)(jū )の報(🗣)告も兼ねて(🔍)友人ヒロミ(🛄)と久々(🦉)に再(zài )会(huì )するユミ。話題はい(🏐)つしか(🌰)「あの日」のことに。「(🖖)私たち(🆑)が埋めた時(🐆)、本当(dāng )に(✈)死(sǐ )ん(🕥)でたのかな(♈)？」。ユミは(👁)「あの(📆)日(rì )」のこ(🦁)とを清算す(🆚)べく、(🌽)サエ、(👛)アコにも再(zài )会を決意(🐤)し、廃(🏆)墟のような(👺)家に一人(ré(🦉)n )で住(zhù(⛩) )むサエに会(🛴)いに行く。サ(🛁)エは、(✒)見知(zhī )らぬ(👇)少女が現れ(💓)て娘だ(🛑)と言って聞(wén )かず、しばらく(🏗)一緒に(📒)暮らしていたが死んだ(📂)こと、(👚)そして少女(🎫)は死んだま(🕵)まその(🕠)家(jiā )の３階(⏮)に寝かされ(🔓)ている(💌)ということを話(huà )し出(chū )す。(C)「(🛥)黄泉が(🌾)える少女」製作委員(yuá(📢)n )会(huì )
每(✔)(měi )年八月，夜(🏤)幕降临下的(🐉)爱丁堡(🚐)城(chéng )堡，就(jiù(🤤) )只(zhī )属于(yú(🏠) )戏剧和(🙌)军乐，力与美(🍐)的表达。
“NO BORDER 2D×3D” を(👪)キャッ(🍊)チフレーズに掲げ、2Dと3Dの境(jì(🖍)ng )目(mù )を(🥎)なくすクリエイティブ(🔫)な活動(⬆)を目(mù )指(zhǐ(🎣) )す３DCGプロダ(🐵)クショ(♌)ン“Picona Creative Studio”。本作(zuò )は(🚍)どんなもの(🔲)でも捨(🐚)ててみせるゴミ捨て屋コンビ(💃)と、魔(☔)法を捨てたい魔女が繰(🍢)り広(guǎ(🚿)ng )げる、ファ(🤸)ッション×(🦐) ポップ(⤴)× アニメを(🐎)キーワード(😆)に魔法(🔒)と科学を絡(🎬)み合わせた(🎪)スラッ(Ⓜ)プスティック・アニメーショ(🏟)ン。同(tó(📢)ng )社が長年温めてきたオ(🏎)リジナ(🐊)ル企画(huà )が(🆘)、ついに実(🔎)現！
Summer 1989, East Germany. Adam works as a tailor, Evelyn as a waitress. They are planning a vacation together when Evelyn finds out that Adam is cheating on her and decides to leave for the holiday on her own. She travels to Hungary, trailed by Adam. As the border with Austria falls, everything changes in Hungary. The frontiers are open, as the new possibilities for Adam and Evelyn to decide in which world – Eastern or Western –(🏉) they want to build a happy life. Adam und Evelyn is based on the homonymous novel by Ingo Schulze, translated in more than ten languages.
Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.
1926年，在面临(lí(🍸)n )个人(rén )生(shē(🈹)ng )活(huó )破(🏪)碎(suì )和写作瓶颈危机的情况下(🗒)，年轻(qī(🚀)ng )的(de )阿(ā )加莎.克里斯蒂决(🔲)定自己(💬)去解决一个(💣)(gè )真(zhēn )实(shí(🦖) )生活中(🛂)的谋杀案。
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