Laura Wagner h
Laura Wagner has a promising career as a young auctioneer, but her life looks set to fall apart when she's the victim of a rape. The rapist is a well-known and respected gallery owner, and the assault takes place after a cocktail party. Laura knows it's unlikely she'll be believed if she files a complaint. But that same night the gallery owner's wife is murdered at home, and the husband is a suspect. His alibi is that he was raping Laura. When the police ask Laura to confirm the alibi, she realizes she can take her revenge by letting her rapist be convicted of murder
银行经(jī(🍜)ng )理雅各(⛴)布(弗兰克(✡)·格(gé(🏇) )里罗饰)的同(tóng )事被暴徒夺去生(shēng )命，而(🔡)他将和(🏔)警(🌶)(jǐng )察(布(👑)(bù )鲁斯·(😈)威利斯(🆚)饰(shì ))联手制服凶(xiōng )手。
貌美肤白大长腿(🥥)(tuǐ )的职(🌥)场(✈)精英(yī(🚓)ng )沈若(ruò(🖨) )柳(🏦)眼看就(🤪)要突破(pò )30岁的(de )大关，却还(hái )是孤身一人(🏟)。白(bái )灵(❕)眼(yǎn )看着(🧝)好闺蜜(🍘)(mì(😆) )干着急(🈺)，决心要(🗿)(yào )为沈(shěn )若柳制造各(gè )种“邂逅(🤭)(hòu )”的机(✴)(jī )会。在一(🏽)次白灵(🐓)(líng )男友—(🐉)—公司(🤝)副总凌(líng )霄举办的晚宴中，沈(shěn )若柳巧(📃)遇了(le )凌(🍴)霄(🦄)的好哥(🧐)们、多金(😍)(jīn )帅气(😳)电力十(shí )足的(de )“小狼狗”郝帅(shuài )，郝帅对沈(🤨)(shěn )若柳(❗)(liǔ(🍐) )这个轻(♋)熟御姐(💋)一(🕷)(yī )见钟(🔚)情，陷(xiàn )入爱(ài )河无法自拔。在(zài )白灵(lí(😱)ng )的神助(🤷)攻之(zhī )下(🔣)，郝帅对(🌧)沈(😈)若(ruò )柳(🎩)展(zhǎn )开(💒)了猛烈的(de )攻势。与此同时(shí )，原(yuá(🎫)n )本如胶(✳)似漆(qī )的(🛸)白灵与(🛥)(yǔ )凌霄感(🕔)情竟(jì(⛅)ng )然(🚽)突发变动，情感危(wēi )机一触即发(fā )，二(💆)人的未(🐄)来(🎀)变得模(💣)(mó )糊不清(🐪)。谁(shuí )料(⛏)霸气御姐竟遭劫持(chí )，郝帅、凌(líng )霄、(💎)白灵三(🔈)人(✈)在废旧(🤱)(jiù )地下(🎋)室(🗑)救下(xià(😠) )沈若(ruò )柳。这场危机之(zhī )后，白灵、凌霄(🌄)(xiāo )二人(🚌)感情开始(🚴)回(huí )暖(🦈)，而(🏑)在“小狼(🎻)(láng )狗”郝(🎖)帅的攻势(shì )下，御姐沈若柳(liǔ )的(😏)防线渐(🛥)渐瓦解(jiě(📴) )……
当(🦁)格洛克 (马(🌞)(mǎ )蒂·(⛸)施(🌘)密(mì )特-夏勒饰)点(diǎn )燃一个臭名昭著(🏚)的皮(pí(⏯) )条(✝)客的SUV时(♓)，他被抓住(💘)并被拍(🥩)摄了(le )视频。他设(shè )法离开后，视频仍在(zà(🏦)i )网上疯(🏇)传。他自(zì(🍞) )发地加(🧖)入(🌛)了一个(🐄)(gè )通过互联网(wǎng )认识(shí )的辍学者小组(📦)。他们寻(💬)找着(zhe )弗里(🕖)(lǐ )德里(🎳)希，这个人(🤤)(rén )住在(♏)(zài )山区，并宣(xuān )称自己的未来会(🏿)(huì )身处(🔝)(chù )大自然(🌧)的怀(huá(⭐)i )抱之中。一(♑)开始(shǐ(🐺) )，格(gé )洛克、朱蒂(dì )丝、斯特(tè )菲、埃(🔪)利亚(yà(🈸) )斯(🥗)和保罗(👫)只感受到(🕧)了(le )满满(🍂)的自由(yóu )和幸福，他们觉得弗(fú )里德里(🖍)希的(de )愿(💎)景可以实(🧝)现。
都说(💸)(shuō(🥫) )男人一(🥟)有钱(qián )就变(biàn )坏，女人一变坏(huài )就有钱(🔺)，这(zhè )句(😳)话(huà )用在(🦎)张宝文(🐡)和他(tā )的(🍰)秘书身(📠)上(shàng )绝对(duì )合适。张宝文原(yuán )本(🚘)有(yǒu )一(🀄)个非常好(🎉)(hǎo )的前(🚂)程和家庭(🧣)，但是(shì(🕟) )他却不珍惜(xī )，与自己的秘书(shū )走到(dà(🎎)o )了一起(⛓)。这(😻)(zhè )一段(📒)办公(gōng )室(🖐)的恋情(🚗)导(dǎo )致了张宝文在事业上(shàng )和家庭上(🗣)彻(chè )底(🥚)破碎。秘书(🙀)的贪婪(👑)(lá(🏪)n )最终落(🔙)到过(guò )街老鼠人人喊打的地(dì )步。当张(👞)宝(bǎo )文(🍑)重(chóng )新回(🔢)归家庭(🍙)的时(shí )候(😂)，一个熟(🧝)(shú )悉的(de )面孔站在了门口(kǒu )挡住(🏊)了他的(🔭)(de )视线(xiàn )。
A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.
《水(🏬)族魂1944》电(🐨)(diàn )影取(qǔ(🕯) )材于上(🐙)世纪(jì )40年代抗日战争日(rì )本投(tóu )降前(⚡)夕，发(fā(⬆) )生(⛏)在贵州(🆘)三都水(shuǐ(🔇) )族自(zì(🌽) )治县九阡镇(zhèn )的真实历(lì )史事件。编(biā(📣)n )剧多次(🎬)实地采风(🕕)走访(fǎ(🐨)ng )，在(🍀)走访了(🛋)(le )当年亲历者和掌握大(dà )量的史实资(zī(🐞) )料后，通(🌪)过写实的(😗)手(shǒu )法(⭐)再现了当(🧡)(dāng )年水(👬)(shuǐ )族人民英勇抗击(jī )日本侵略(✅)者(zhě )的(🧒)故(gù )事，体(😎)现了中(🐨)国(guó )人民(🈹)抗击侵(🕠)(qīn )略者(zhě )的决心，谱写了(le )一曲(qǔ )贵州少(🛏)数民(mí(🚓)n )族(🔉)人民抗(🍿)击日本(bě(😯)n )侵略(luè(🔊) )者的英雄赞(zàn )歌！《水族魂1944》这部(bù )电影在(💋)抗日(rì(📷) )战争爆发(💐)(fā )80余年(😗)后(🆎)的今(jī(🕦)n )天推出，其真正意义(yì )于中华民族(zú )抗(🦆)战有益(🗒)，更是贵州(📔)(zhōu )抗战(🤴)历史上(shà(😩)ng )不可磨(🔕)灭，是光辉灿(càn )烂，浓墨重(chóng )彩的(de )一笔，对(💮)贵州少(shǎ(📗)o )数民族(🥍)抗战(zhàn )的(🗃)肯(kěn )定(🕎)和宣扬有着重(chóng )要的作用。
志愿(yuàn )成为(✡)摄影师(➕)的(⛷)肖(xiāo )恩(🍤)（罗伯特(✖)·席(xí(👎) )安 Robert Sheehan 饰）根本不想(xiǎng )被死(sǐ )板的工作束(⛴)(shù )缚。为(🍳)了生计，他(🐃)和(hé )狐(👎)朋(🙆)狗友德(🎉)(dé )里克（Carlito Olivero 饰(shì )）靠偷盗为(wéi )生，甚至假(😁)扮餐厅(🈹)门(mén )童开(😄)客人的(🤔)(de )车到人家(🧗)家里盗(😜)窃。这一晚，肖(xiāo )恩开着玛莎拉蒂潜入(rù(💦) )一个似乎(💜)是(shì )成(🚆)功(gōng )人士(🎸)的家中(🏷)。当(dāng )他以为得手(shǒu )时，居然在对方房间(🏴)(jiān )里发(🌇)现(🐍)一名(mí(🏃)ng )遭受(shòu )虐(🔻)待全身(👶)被捆绑(bǎng )起来(lái )的女子。原(yuán )来，那个衣(✌)冠楚(chǔ(🐱) )楚的(de )男人(🤰)凯尔（(🍇)大(🛄)卫·田(🔫)纳特 David Tennant 饰(shì )）竟(jìng )然是冷血残(cán )酷的虐(🏴)待(dài )狂(🧛)。
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
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